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The Sky Is Crying: The History of Elmore James
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List Price: $9.98
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Manufacturer: Rhino / Wea
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Average Customer Rating: 
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Binding: Audio CD
EAN: 0081227119027
Label: Rhino / Wea
Manufacturer: Rhino / Wea
Number Of Discs: 1
Publisher: Rhino / Wea
Release Date: 1993-04-06
Studio: Rhino / Wea
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Editorial Reviews:
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Other post-WWII Chicago bluesmen are better known, but the work of Elmore James holds up as well as any of theirs. If he never had the technical accomplishment of, say, Earl Hooker, he did have as much depth of emotional expression as Muddy Waters; just listen to the sweetness of "I Need You" or the pain of "It Hurts Me, Too." The Sky Is Crying: The History of Elmore James contains some of the most important work of a man who still reigns as the king of slide guitar; anyone who wears a bottleneck today owes a debt to James. Highlights include Robert Johnson's "Dust My Broom," which James made his signature tune, as well as the title track, which contains some of the sweetest licks in blues history. --Genevieve Williams
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Spotlight customer reviews:
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Customer Rating: 
Summary: Dust My Broom, Ya!
Comment: When one thinks of the classic blues tune "Dust My Broom" one tends to think of the legendary Robert Johnson who along with his "Sweet Home, Chicago" created two of the signature blues songs of the pre-World War II period. However, my first hearing of "Dust My Broom" was on a hot LP (the old days, right?) version covered and made his own by the artist under review, Elmore James. I have heard many cover versions since then, including from the likes of George Thorogood and Chris Smithers, and they all reflect on the influence of Elmore's amazing slide guitar virtuosity to provide the "heat" necessary to do the song justice. Moreover, this is only the tip of the iceberg as such blues masters and aficionados as B.B. King and The Rolling Stones have covered other parts of James' catalog.
Perhaps because Elmore died relativity young at a time when blues were just being revived in the early 1960's as part of the general trend toward "discovering" roots music by the likes of this reviewer he has been a less well-known member of the blues pantheon. However, for those who know the value of a good slide guitar to add sexiness and sauciness to a blues number James' is a hero. Hell Thorogood built a whole career out of Elmore covers (and also, to be sure, of the late legendary Bo Didderly). I never get tired of hearing these great songs. Moreover, it did not hurt to have the famous Broomdusters backing him up throughout the years. As one would expect of material done in the pre-digital age the sound quality is very dependent on the quality of the studio. But that, to my mind just make sit more authentic.
Well, what did you NEED to listen to here? Obvioulsy,"Dust My Broom". On this CD though you MUST listen to Elmore and the great Big Joe Turner on "T.V. Mama". Wow, it jumps right out at you. "Look On Yonder Wall", "It Hurts Me Too" and the classic "The Cry is Crying" round out the minimum program here. Listen on.
Customer Rating:
Summary: The first Elmore record to own
Comment: Elmore's blues, of all the major blues, had in them the most rock & roll kind of excitement. This is the first Elmore record to own. Next, go for Charly's 3 CD compilation box set King Of The Slide Guitar: The Complete Trumpet, Chief & Fire Sessions, and finally another 3 CD compilation, The Classic Early Recordings 1951-1956 from Ace. This one though - The Sky Is Crying: The History Of Elmore James - still has several tracks, all mighty fine, unavailable on either of those other collections ("The Sun Is Shining", "T.V. Mama", "Madison Blues" and "I Can't Hold Out").
Customer Rating:
Summary: Wow
Comment: Love the blues? This is for you. One of the early up from Mississippi to Chicago bluesmen (I think he died in '43). "Madison Blues" and "The Sky is Crying" the way 'lonesome George' heard them first.
Customer Rating:
Summary: Slide On This
Comment: Since the advent of the compact disc two decades ago, there have been a number of worthy compilations by the great Elmore James (1918 - 1963), and yet James' reputation and popularity still falls far short of many of his contemporaries, post-War giants like Muddy Waters, Howlin Wolf, who came out of the Mississippi Delta and migrated North to cities like Chicago or Detroit. James, perhaps even more than Wolf or Waters, embraced amplification - not just because you had to be loud to be heard in a crowded bar, but for the creative possibilities offered by plugging in. Only Bo Diddley, perhaps, found electricity to be as essential to his creative evolution as Elmore did, as one can't help but be blown away by the way Elmore deployed distortion, volume, sustain, and other effects that allow for the myriad of textures and colors heard on these vintage masterpieces. And playing the music on this superb set LOUD goes a long way towards demonstrating just how vital James' intense, piercing, and hugely influential slide guitar playing remains on rock and blues players (from Duane Allman and Ron Wood to Hound Dog Taylor and Jack White), how cohesive and sympathetic his bands (especially the Broomdusters) were, and how emotionally raw and deep his greatest work sounds some 45 years after his death.
"The Sky Is Crying", issued by Rhino in 1993, remains the single best collection of Elmore's work, essential to any serious blues collection as well as the perfect introduction for newcomers. The 21 track set (recorded between 1951 and 1961) is unique in that it represents James' recordings for a variety of labels, including Trumpet (where he recorded his debut, 'Dust My Broom'), Flair, Chess, Atlantic, Chief, Flashback, and finally Bobby Robinson's Fire, where James settled during his final, fruitful four years. The fact that this CD's producer, the late Robert Palmer (who also contributes a typically insightful essay that allowed me to really HEAR this music 14 years ago) brings together so many of James' recordings from different periods and labels allows us to hear the evolution, abd especially the range and scope of Elmore's body of work, from his almost tentative (in light of what follows) debut hit to fully realized masterpieces with the Broomdusters, as well as blistering workouts with Ike Turner (whose own go-for-the-throat guitar is a perfect foil for Elmore's slide), a collaboration with Big Joe Turner, plus performances by Willie Johnson (guitarist on Wolf's immortal early Memphis sides), Willie Dixon, and more. By the time we get to hear "Hawaiian Boogie" and "Madison Blues", "I Can't Hold Out" (covered by Clapton), "Done Somebody Wrong" (ditto the Allman Brothers Band), the amazing "12 Year Old Boy" (track down Lydia Lunch's version!), and the primal funk of "Rollin and Tumblin" the power of Elmore James is undeniable, as is the intellegent sequencing of this lovingly compiled collection. For those who want more, I'd recommend two inexpensive boxed sets that are still in circulation if not in print: "The Classic Early Recordings 1951 - 56" (Flair/Virgin, 1993) has some amazing workouts by the Broomdusters and a booklet full of rare photos and the compilers' tale of visiting Canton Mississippi in 1993, where we meet folks who knew Elmore. "King Of The Slide Guitar" (Capricorn, 1993) takes us to the last years of James' career, which found him at his peak: 50 wonderful tracks recorded for Bobby Robinson (James' best producer) and originally issued on Fire.
Customer Rating:
Summary: One of the greatest collections ever!!!
Comment: Elmore James is underrated--period. He was as much of a pioneer and original artist of electric blues as Muddy Waters, yet timing, connections, and probably his health problems seemed to diminish his stature in the blues world in the 1950's and early '60's somewhat, at least compared to Muddy Waters and Howling Wolf. Over time, we have seen his work to be just as influential as Muddy's, and probably more than Wolf's. I admire Muddy Waters and the Wolf and respect their supreme positions as kings of Chicago blues, but I actually enjoy listening to Elmore James more. His singing is second only to Son House in sheer terms of emotional intensity. I love his quivering vocal vibrato that so perfectly fits the beat to "Dust My Broom." And his slide playing is without question some of the most influential music ever. The legendary Duane Allman studied him--need I say more?
This is a perfect CD for those interested in sampling Elmore's music for the first time. Every song is a winner. You won't be disappointed!!
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